Indie Exclusive Releases

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Amen Dunes

On every album, Damon McMahon aka Amen Dunes has transformed, and Freedom is the project's boldest leap.

The themes are darker than on previous Amen Dunes albums, but it's a darkness sublimated through grooves. The music, as a response or even a solution to the darkness, is tough and joyous, rhythmic and danceable.

It's a sound never heard before on an Amen Dunes record, but one that was always asking to emerge. Eleven songs span a range of emotions, from contraction to release and back again. 'Blue Rose' and 'Calling Paul the Suffering' are pure, ecstatic dance songs. 'Skipping School' and 'Miki Dora' are incantations of a mythical heroic maleness and its illusions. 'Freedom' and 'Believe' offer a street tough's future-gospel exhalation, and the funk-grime grit of 'L.A.' closes the album, projecting a musical hint of things to come.

Amen Dunes
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Courtney Marie Andrews

'May Your Kindness Remain' is Courtney Marie Andrews statement piece.  It is the follow up album to Courtney Marie Andrews critically acclaimed 2016 album Honest Life, which made Rolling Stone's list of the "Top 40 Country Albums of 2016" and was The Bluegrass Situation's Album of the Year.  She even appeared on an episode of 'Later…with Jools Holland.” She has toured with The Head & The Heart, Big Thief, Hamilton Leithauser and more. 

Courtney Marie Andrews
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Young Fathers

Young Fathers will release their third studio album, Cocoa Sugar, on March 9th, 2018 via Ninja Tune. The UK-based & Mercury Prize-winning trio recently shared their latest track & video 'LORD', which was described as 'Spectacular' by FADER, Crack, and Clash & earned praise by Stereogum, Paste, NME, Complex & more. The band will then return to the USA with a run of shows this Spring. Following their work on the score of Danny Boyle's Trainspotting 2, Young Fathers deliver their third and most ambitious record to date.

Young Fathers
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Tracey Thorn

Limited-edition, indie-only. Single LP on translucent red vinyl. Includes coupon for full download. Limited to 3,000 worldwide.

“Nine feminist bangers,” Tracey Thorn joked when asked to describe her first solo album of entirely original material in seven years. Resplendent in Ewan Pearson’s unashamedly glittering electro-pop production, Record will be released on March 2, 2018.

“I think I’ve always written songs which chronicle the milestones of a woman’s life,” she says. “Different ages and stages, different realities not often discussed in pop lyrics. If 2010’s Love and Its Opposite was my mid-life album—full of divorce and hormones—then this album represents that sense of liberation that comes in the aftermath, from embarking on a whole new ‘no fucks given’ phase of life.”

On Record, the synth-driven tracks arrive and leave with a punchy sub-three-minute directness. The album packs an eloquent punch. As ever, the personal has often been political in Tracey Thorn’s work. Across four decades, her songs and writing have offered up a clear-eyed woman’s view of the immediate world around her, from the acerbic teen love songs of her first early ’80s band Marine Girls through sixteen years as one-half of articulate multimillion-selling duo Everything But The Girl, to her recent acclaimed memoirs and journalism.

Tracey Thorn
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Soccer Mommy

Soccer Mommy is the project of twenty-year-old Sophie Allison, a Nashville native. She cut her teeth in her local DIY scene, going to shows and hanging out with other musicians, though she kept her own songwriting secret. All that changed the summer before Allison left for college. She bought a Tascam digital recorder and began to experiment with production, pushing the quality and craft of her songs to new heights. A buzz began to grow around her Bandcamp recordings, leading to live shows and eventually a record deal, with 2017’s critically acclaimed bedroom-recorded compilation Collection. “I realized that I could do this full-time,” says Allison. “It was either quit school now and do it, or stop growing as an artist. It was now or never.”

So Allison took the plunge. She quit school, moved back home to Nashville, shifting all her focus to music. She toured with Mitski, Jay Som, Slowdive, and others, and was featured in the New York Times article “Rock’s Not Dead, It’s Ruled By Women.” The bedroom project of Sophie Allison is now a full-time band with a new studio-album debut, Clean. Produced by Gabe Wax (War On Drugs, Deerhunter, Beirut) and mixed by Ali Chant (Perfume Genius, PJ Harvey), Clean is Allison’s journey out of the bedroom and into the studio.

Clean presents Sophie Allison as a singular artist, wise beyond her years, with an emotional authenticity all her own. “It feels like my first real record,” says Allison. “It’s my first real statement.” It’s an emotional album, heavy on themes of growth, isolation, and change, but balanced by a lightness of touch, and with hooks to spare. Clean is a true step forward, a mature, powerful album from an artist just coming into her power.

Soccer Mommy
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Titus Andronicus

Limited-edition, indie-only. Single LP on blue and gray swirl vinyl. Includes bonus 7” with “(I’m) Like a Rolling Stone” on black vinyl in a stock white paper sleeve. Includes coupon for full download. Limited to 3,000 worldwide.

Since debuting in 2008, Titus Andronicus has been conditioning faithful listeners to always expect only the unexpected, consistently zigging where others would zag and maintaining a steadfast dedication to fearless ambition. With the March 2 release of the new studio album A Productive Cough on Merge Records, Titus Andronicus has executed the most shocking departure yet—but only if, as ever mercurial singer-songwriter Patrick Stickles insists, “you haven’t been paying attention.”

Titus Andronicus
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Jimi Hendrix

"Lover Man" from the March 9th full-length release Both Sides of the Sky.  “Foxey Lady” is a previously unreleased live version recorded in Holland on November 10, 1967.

Jimi Hendrix
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I'm With Her

See You Around is the full-length debut from I'm With Her, featuring multi-Grammy-Award-winners Sara Watkins, Sarah Jarosz, and Aoife O'Donovan. Before coming together these artists co-founded seminal bands (Nickel Creek and Crooked Still) and since have collectively contributed to critically acclaimed albums from esteemed artists including Yo-Yo Ma, The Civil Wars, Kris Kristofferson, John Mayer, Alison Krauss, and more!

I'm With Her
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Superchunk

Limited-edition, indie-only. Single LP on pink-in-clear vinyl. Includes 12” x 24” folded poster insert. Includes coupon for full download. Limited to 3,000 worldwide.

After the shocking, and for many, demoralizing result of the 2016 election, “I didn’t buy the silver lining some were promoting that ‘well, at least art and music will be great now!’,” says Superchunk co-founder and frontman Mac McCaughan. “Obviously, any sane person would gladly trade four to eight years of terrible music for not having our country dismantled to satisfy the whims of a vengeful child and his enablers.”

That said, good music and art still have a lot to say, and the urgency of current events gave Mac, Laura, Jim, and Jon the momentum to make something new sooner than later. “It would be strange to be in a band, at least our band, and make a record that completely ignored the surrounding circumstances that we live in and that our kids are going to grow up in.” Enter What a Time to Be Alive, Superchunk’s first album in over four years, out February 16, 2018, on Merge Records. It’s a record, says Mac, “about a pretty dire and depressing situation but hopefully not a record that is dire and depressing to listen to.”

Superchunk
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Ought

Limited-edition, indie-only. Single LP on white vinyl. Includes 12” x 12” printed insert. Includes coupon for full download. Limited to 1,500 worldwide.

On Room Inside the WorldOught’s third album and their first for Merge—growing up doesn’t mean mellowing out so much as it means learning to pay attention, listening carefully and openly, staying somewhere long enough to really understand where you are. Recorded at Rare Book Room in Brooklyn with producer Nicolas Vernhes (Deerhunter, Animal Collective, Silver Jews), Room Inside the World explores themes that have always concerned the band—identity, connection, survival in a precarious world—but with a bolder, more nuanced sound palette. Vibraphone, justly intonated synthesizers, drum machines, and a 70-piece choir suffuse the precise post-punk breakdowns that spangled Ought’s first two albums, giving rise to an emotional complexity that pushes their characteristically taut sound to greater depths.

Ought
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The Soft Moon

'Criminal', The Soft Moon's fourth studio album, is a confessional work. Through the stark lens of shame and guilt that has followed Luis Vasquez since a violent childhood growing up within the humming ambient sprawl of '80s Mojave Desert, here he documents the gut-wrenching sound of going to war with himself. Battling with his own sanity, self-hatred, insecurity, self-entitlement and grappling with the risk of these things transforming him into a person he despises, Vasquez has laid his feelings bare with this: his confession and most self-reflective work to date.

The Soft Moon
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H.C. McEntire

Limited-edition, indie-only. Single LP on white vinyl. Includes coupon for full download. Limited to 1,000 worldwide.

On January 26, H.C. McEntire, frontwoman of Mount Moriah, strikes out on her own with her debut solo album LIONHEART, a collection of songs inspired by the American South and a desire to reclaim “country” music from the hetero-normative, homogenous schtick of tailgates and six-packs and men chasing women. Stereogum describes her voice as “weary, wise, and bright as morning sunshine all at once,” and that sunshine glows throughout the triumphant LIONHEART.

For the album, McEntire collaborated with many of her favorite musicians, including Kathleen Hanna, Angel Olsen, Amy Ray, Tift Merritt, William Tyler, Mary Lattimore, and Phil Cook, while remaining bravely devoted to her most authentic self throughout the process. LIONHEART was recorded during the first few months of 2017 with additional recording and mixing taking place on the run as McEntire toured the world as a member of Angel Olsen’s band.

H.C. McEntire
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Hollie Cook

Peak Vinyl: Limited-edition, indie-only. Single LP on transparent pink vinyl. Includes printed diecut inner sleeve. Includes coupon for full download. Limited to 1,500 worldwide.

Hollie Cook combines her unique vocal talent with charming charisma to craft her own dynamic strand of lovers rock with enduring tropical vibes, weaving a path from her West London roots to an arena of diverse collaborations, critically acclaimed records, and iconic live appearances around the world. Cook’s ability to continually surprise, delight, and progress solidifies her position as one of the most exciting voices in reggae, and this is crystal clear on her third full-length and Merge debut, Vessel of Love.

Hollie Cook
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Dream Wife

Since forming in 2015 as a college art school project, Dream Wife - a name chosen as commentary on society's objectification of women - have become one of the foremost up-and-coming bands out of the U. K. They have garnered praise for their early releases and their ferocious live shows, which saw them sell out venues across U. K. and Europe, tour the U. S. with the Kills, and play festival stages all over the world. Now the band are gearing up to release Dream Wife on January 26th, 2018 via Lucky Number. When it comes to their sound, Dream Wife worships at the twin altars of David Bowie and Madonna. A scene unto themselves, their gigs are a riot of handmade props and stage sets that cover everything from space beaches to haunted graveyards, while their finely tuned show is the product of extreme DIY beginnings. It's the songs too that make the shows, from the fiery fury of "FUU," to the new wave politico-pop of "Somebody," and euphoric old school indie hit "Fire. " These are songs in the classic mould - big, beautiful and crazily catchy. And, of course, there's the three dynamic women at the band's core. Get ready to fall under Dream Wife's spell.

Dream Wife
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Sister Rosetta Tharpe

Sister Rosetta Tharpe was the first great recording star of gospel music and among the first gospel musicians to appeal to rhythm-and-blues and rock-and-roll audiences, later being referred to as “the original soul sister” and “the godmother of rock and roll”. This live recording from 1960 had never been on vinyl, until now, a whole 57 years later.

The set has plenty of variety, lots of sincere feeling, and high levels of musicianship from the unique performer. Highlights include “He’s Got the Whole World In His Hands,” “Didn’t It Rain,” “The Gospel Train” and “Down By the Riverside.” The album was remastered for vinyl from analog tape and pressed at Pallas Group in Germany.

Sister Rosetta Tharpe
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Jim James

“My Morning Jacket frontman Jim James returns with Tribute To 2, a collection of cover songs that reverberate with hope and blur the boundaries of time and genre.  James interprets songs made famous by a wide variety of artists including songs from from The Beach Boys, Sonny and Cher, Dianne Izzo, Ray Noble and Al Bowlly, Elvis Presley, Willie Nelson, Bob Dylan, Emerson Lake and Palmer, Abey Lincoln. Record Store Day Vinyl Club edition will come on gold colored vinyl and is exclusive to indie record stores”

Jim James
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Baths
The 3rd LP from Will Wiesenfelds Baths project. Less outwardly grim than the darker half of the last Baths LP, Obsidianbut twice as bittersweetRomaplasm reimagines approachable electronic pop songs as pieces of scaffolding that can be lived in, expanded and retracted, or torn down entirely.
Baths
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Dexter Gordon

Dexter Gordon recorded dozens of albums and played hundreds of live shows, but none better than what’s captured on this 1967 date at Jazzhus Montmartre in Copenhagen. The hard-bop saxophonist blows nothing less than a 28-chorus solo without referencing one standard tune on an epic 12-bar rendition of “Sonnymoon for Two” and, for good measure, sails through an extended, calypso-themed version of Ben Tucker’s “Devilette.” Want sentimentality? No problem. Get lost on “Misty,” on which pianist Kenny Drew and drummer Al Heath add their own signature strokes. What a set!

Both Sides of Midnight marks Gordon’s peak live recorded document and a can’t-miss opportunity for collectors and enthusiasts to get closer to the man and his music.

This Indie Exclusive edition comes on translucent green vinyl and is limited to just 300 copies.

Dexter Gordon
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The Doors

A special RSD VINYL CLUB edition of The Doors STRANGE DAYS, on blue/grey swirl vinyl, is out now and only in record stores. This one-time-only pressing is limited to 2000 copies and is going fast!  #VinylTuesday #RSDVinylClub

The Doors
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Sharon Jones & The Dap-Kings

Sharon Jones & the Dap-Kings' final studio album, Soul of a Woman is a lush, orchestral masterpiece. A true testament to the life and career of Daptone's fearless leader and one of the world's greatest performers. In the year prior to her death from pancreatic cancer in 2016, Sharon Jones toured and performed tirelessly, and was also the subject of Miss Sharon Jones!, an acclaimed documentary by Oscar-Winning director Barbara Kopple. Yet somehow, the beloved and heroic soul singer found time to complete a studio album. Soul of a Woman features eleven songs which reveal that the emotion, dynamics, and drama of Jones' voice remained at full power until her final days.
The songs on Soul Of A Woman exemplify two distinct sides of the band s sound. Side One showcases the grittier, bluesier material like Matter Of Time and Sail On giving Sharon the room to flex her vocal prowess, creating a liveness that few studio albums posses. Side Two takes on a more sophisticated orchestral mood. Tracks like When I Saw Your Face and These Tears (No Longer For You), capture a soft vulnerability in Sharon's vocals that draws you deep inside, and yet they remain nuanced with the signature toughness that never allow you to forget she's steering the ship. The finished product is an album that captures a band and a singer at their peak. Includes download card.

Sharon Jones & The Dap-Kings
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Morrissey

The 11th full-length solo release for the British indie rock singer-songwriter was produced by Joe Chiccarelli.

Morrissey
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Converge

Five years since their last release, Converge return with The Dusk In Us: a brutal but beautiful album that shows the band’s artistic evolution while still capturing their classic sound. The ninth full-length from the Boston-based heavy-music innovators—vocalist Jacob Bannon, guitarist Kurt Ballou, bassist Nate Newton, and drummer Ben Koller—The Dusk In Us proves to be both dark and hopeful, abrasive and melodic, devastating and powerfully cathartic. In recording The Dusk In Us, Converge once again worked in Ballou’s renowned Godcity Studios in Salem, Massachusetts. Produced by the band and mixed by Ballou, the album matches its raw energy with a subculture-crossing inventiveness that’s earned Converge longtime reverence within the punk, metal, and hardcore scenes. One of Converge’s most dynamic and avant-garde albums to date, The Dusk In Us unfolds with an uncompromising honesty born from “writing about experiences in my life and working through the complexities of those things through song,” as Bannon explains. On the album-opening “A Single Tear,” pummeling drums and caustic riffs form the backdrop to strikingly vulnerable lyrics like “When I held you for the first time/I knew I had to survive.” (“‘A Single Tear’ is about becoming a parent, and the perspective and strength it can give,” Bannon notes.) With its abrasive guitar work and menacing undertones, “Under Duress” brings a tortured howl to lyrics channeling what Bannon describes as “my emotional reaction to the complex world in which we live.” A frenzied blast of pure fury, “I Can Tell You About Pain” offers what NPR recently hailed as “hardcore-fueled extreme music that simultaneously elevates and destroys.” And on the seven-minute-plus title track to The Dusk in Us, Converge deliver a slow-building, quietly haunting epic of ethereal beauty. Converge formed in Massachusetts in 1990, then made their debut with 1994’s Halo in a Haystack. Soon regarded as pioneers within the aggressive music arena, the band had a major breakthrough with their landmark album Jane Doe—a 2001 release praised as “iconic” by the A.V. Club (who also noted that Jane Doe “reaches canonical status with every re-listen”). The Dusk In Us arrives as the follow-up to 2012’s All We Love We Leave Behind, an album that Consequence Of Sound called “as skull-cleaving as it is beautiful” and that made its way onto Pitchfork’s Best New Music list. While The Dusk In Us finds Converge defying boundaries and pushing into new sonic terrain, it’s also a natural progression for a band that’s long thrived on making music that both challenges and connects. “Our only goal is to create something that moves us and resonates with us emotionally,” says Bannon. “For us, it’s simply a new album about new chapters in our lives. We are a very ‘human’ band—always have been—and our songs are all rooted in our real-life experiences. The Dusk In Us is that new chapter, just as previous records were before that.”

Converge