Blues/Jazz

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Beth Hart & Joe Bonamassa

It's been 4 years since the critically acclaimed, Grammy nominated, and #1 Billboard Blues album Seesaw was released by singer-songwriter Beth Hart and guitar hero Joe Bonamassa. They have reunited for Black Coffee - another collection of scorching interpretations of ten soul gems that pair Hart’s breathtaking vocals and Joe’s masterfully expressive playing. Featuring songs made famous by; Edgar Winter, Ray Charles, Etta James, Ella Fitzgerald, Lucinda Williams and more. LP is 180g, red vinyl, and contains an exclusive bonus track.

Beth Hart & Joe Bonamassa
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Gary Moore

Gary Moore

Blues And Beyond [2CD]

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BMG proudly release Gary Moore’s Blues and Beyond, a remarkable collection of his powerful and emotive blues studio recordings. Blues and Beyond is released on double CD, 4 LP and as a box set, which includes unreleased live recordings and the official Gary Moore biography I Can’t Wait Until Tomorrow written by Harry Shapiro. Best known for his evocative solo hits, Parisienne Walkways and Still Got the Blues (live versions feature in this set), and his on/off membership of Thin Lizzy, Gary Moore’s solo career comprises over twenty albums. Throughout the 1980s, Gary moved up the rock hierarchy, but turned his back on what he regarded as the empty flash of metal and reverted to his heart music – the blues – where ironically he scored his biggest commercial success through his 1990s and 2000s blues albums. As well as running his own bands, during a successful solo career, Gary mixed with the best that rock and blues could offer, playing live and on record with George Harrison, Jack Bruce, Ginger Baker, Greg Lake, BB King, Albert King, Albert Collins and many others. Gary was also the guitarist many looked up to, not just for the terrifying speed of his fretwork, but for the passion, fire and honesty in his playing.

Gary Moore
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Greyhounds

Greyhounds

Cheyenne Valley Drive [LP]

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Cheyenne Valley Drive is the 3rd studio album (and the first on their brand new label Bud's Recording Services), by Austin's Greyhounds. The band has been aptly described as "ZZ Top meets Hall & Oats" for their blend of gritty guitar riffs, smooth rhythms and soulful R&B. Cheyenne Valley Drive is no exception. Co-writers and singers Anthony Farrell and Andrew Trube mix these elements deftly throughout the 10 tracks. The sessions were recorded and mixed at legendary Sam Phillips Recording in Memphis, TN by Grammy award winning engineer Matt Ross-Spang (Margot Price, Jason Isbell).

Greyhounds
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Steep Canyon Rangers

Steep Canyon Rangers

Out In The Open [LP]

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The sessions that produced Out In The Open were brisk and instinctive, expansive yet intimate, visceral and immediate - and they would have had to be, for herein are songs that tell the big story by drawing the small ones. There is, to my ear, as much of Raymond Carver's literate and humane influence on display as the Osborne Brothers, as much Welty in the pointed details - both sublime and confounding - as Clark and Van Zandt. Compassion and determination act as connective tissue when, throughout this song cycle, the bones, muscle, and blood of daily life dance with loose-limbed motion toward the inevitable, guided by an ethos best articulated by Sam Beckett who directed that when we falter, we try again and ''fail better.''

While in the studio, the Rangers stood in a circle - facing each other and the music with a well-worn brotherhood that was as well open to all they could not imagine transpiring between them. The songs were written as a map, and their shared history a compass blade, but the road itself - the journey - was a moving target and, as with all relevant music, remains one. And the Steep Canyon Rangers are moving along with it. - Joe Henry

Steep Canyon Rangers
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Robert Finley

Robert Finley

Goin' Platinum! [LP]

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And now we have Goin' Platinum!, the newest effort from the soon-to-be legendary soul singer Robert Finley and his crack band of geniuses. From the lovelorn bombast of "If You Forget My Love" to the soul-stirring "Medicine Woman," and the home-on-the-road ripper "Empty Arms" to the yearning "Honey Let Me Stay the Night," all capped by the epic closer "Holy Wine," featuring Finley's ethereal falsetto, Finley's performance left Dan Auerbach speechless-as it will anyone who lays ears to it.
As for the album title, Dan Auerbach gives all credit to Finley and his huge but wholly considerate personality. "He was just beaming from the second he walked in the door," Auerbach says. "Every time he'd listen to playback, he'd say, ‘It's goin' platinum.' That was his catch phrase.

Robert Finley
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Doctor Ross

Doctor Ross, also known as "Doctor Ross the Harmonica Boss", made his reputation as a bluesman in Memphis before moving to Michigan. During the early '50s, Ross recorded his first sides, including "Chicago Breakdown”, with Sam Phillips at Sun Records. This compilation, Memphis Breakdown, compiles the best of those early Memphis sessions all in one place, remastered for vinyl.

Doctor Ross
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Sister Rosetta Tharpe

Sister Rosetta Tharpe was the first great recording star of gospel music and among the first gospel musicians to appeal to rhythm-and-blues and rock-and-roll audiences, later being referred to as “the original soul sister” and “the godmother of rock and roll”. This live recording from 1960 had never been on vinyl, until now, a whole 57 years later.

The set has plenty of variety, lots of sincere feeling, and high levels of musicianship from the unique performer. Highlights include “He’s Got the Whole World In His Hands,” “Didn’t It Rain,” “The Gospel Train” and “Down By the Riverside.” The album was remastered for vinyl from analog tape and pressed at Pallas Group in Germany.

Sister Rosetta Tharpe
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Chick Corea

Chinese Butterfly is a reunion of two musical titans, a creative partnership that dates back to the early days of Return To Forever with Chick Corea when Steve Gadd was one of the first drummers.

180g with download card.

Chick Corea
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Seal

Seal

Standards [LP]

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Over the course of his astounding career, acclaimed singer-songwriter, Seal, has sold over 50 million albums globally.  Now this iconic voice is tackling timeless songs with a collection of stunning versions of standards. Standards will release on November 10 and will include hit tracks “Luck Be A Lady” and “It Was A Very Good Year.”

Seal
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Ella Fitzgerald

Ella Fitzgerald

Ella At Zardi's

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Rescued from the vaults: ‘Ella At Zardi's’ is the Verve Records' first live recording, and is being heard for the first time anywhere. The two sets from the evening, in front of a lively crowd, was captured February 2, 1956, a few days before Ella began recording Verve’s first album, ‘Ella Fitzgerald Sings The Cole Porter Song Book.’

Ella Fitzgerald
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Norah Jones

Norah Jones

Day Breaks: Deluxe Edition [2LP]

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Blue Note Records will release a new Deluxe Edition of Norah Jones’ acclaimed album Day Breaks. A 2-CD set and limited edition 2-LP 180g silver foil-cover vinyl.

The expanded track listing includes the addition of nine songs recorded live in New York City during Norah’s memorable album release shows at the Sheen Center’s Loreto Theater in October 2016. The live cuts include versions of songs from Day Breaks like “Flipside” and the Horace Silver ballad “Peace,” as well as fan favorites like “Don’t Know Why” and “Sunrise,” performed by Norah (voice, piano), Chris Thomas (bass), Brian Blade (drums), Pete Remm (Hammond B-3 organ), and background vocalists Tarriona ‘Tank’ Ball & Anjelika ‘Jelly’ Joseph of Tank and The Bangas (winners of NPR Music’s 2017 Tiny Desk Contest).

Norah Jones
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Gregory Porter

Two-time GRAMMY-winning vocalist Gregory Porter s 3rd Blue Note album, Nat King Cole & Me, is a heartfelt tribute to his idol, the legendary singer, pianist and Capitol recording artist Nat King Cole.

With the help of 6-time GRAMMY-winning arranger Vince Mendoza, the London Studio Orchestra, a core band featuring pianist Christian Sands, bassist Reuben Rogers, and drummer Ulysses Owens, and special guest trumpeter Terence Blanchard on two tracks, Porter revisits some of Cole s most cherished classics such as Mona Lisa, L-O-V-E, Nature Boy & The Christmas Song

Gregory Porter
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Ronnie Earl & The Broadcasters

The Luckiest Man confirms Ronnie Earl’s status as one of the most soulful blues/soul/jazz guitarists working today. A three-time Blues Award winner as Guitarist Of The Year, Earl has worked with his band The Broadcasters for almost 30 years. This is his 25th release. This album is dedicated to the memory of long-time Broadcaster bass player Jim Mouradian. As Jim would say when he first met someone, “I’m the luckiest man you know — and I don’t even know who you know.” Playing with spellbinding intensity and soul, Earl has a legion of fans that await each new release.

Ronnie Earl & The Broadcasters
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Samantha Fish

Samantha Fish

Belle Of The West

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2017 release from the blues singer, songwriter and guitarist. Fish recorded Belle of the West in the relaxed, rural creative atmosphere of the legendary Zebra Ranch Studios in the North Hills of Mississippi with producer Luther Dickinson (of North Mississippi Allstars fame), with whom she worked previously on her 2015 album Wild Heart. The studio team included some of the region's most iconoclastic musicians, including Dickinson, solo artist and Jack White associate Lillie Mae, much-traveled juke-joint blues artist Lightnin' Malcolm, Squirrel Nut Zippers founder Jimbo Mathus, upright bassist and beloved solo artist Amy LaVere, Tikyra Jackson, Trina Raimey and Shardé Thomas, granddaughter of the legendary Southern bluesman Otha Turner.

Samantha Fish
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Savoy Brown

Savoy Brown

Witchy Feelin'

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2017 release from the veteran blues outfit. Blues is not for the faint-hearted. Since the genre first drew breath, it's greatest practitioners have embraced the darkness, spinning tales of hardship and death, hellhounds and devilry. If the sleeve of Witchy Feelin' suggests that Kim Simmonds, too, has a tendency towards the macabre, then Savoy Brown's iconic leader is happy to confirm it. "Blues has always dealt with themes of the Devil, witchcraft and so forth, and I've always written along those lines. At least three of the songs on Witchy Feelin' have that hoodoo vibe..." Witchy Feelin' proves the Devil still has all the best tunes. From the thrillingly brittle guitar riff that opens Why Did You Hoodoo Me, we are in the hands of a master, with Simmonds reigniting the seismic vocals and searing fretwork that established Savoy Brown as linchpins of the '60s British blues boom. Recording alongside Pat Desalvo (bass), Garnet Grimm (drums) and engineer Ben Elliott, Simmonds leads us into a world of dark nights, wild weather, women and whiskey: all perennial themes given a modern twist by this ageless bluesman. "The songs on this album have been two years in the making," he reflects. "I tried to write songs that had a personal point of view yet can be relatable to everyone. On 'Vintage Man', I wrote about being the type of guy who doesn't change as he gets older. I wrote about the power of love on 'Why Did You Hoodoo Me'. And with 'Guitar Slinger', I wrote a song about seeing a great guitar player in an old country bar - as I did when I first saw Roy Buchanan in '69."

Savoy Brown
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Sister Rosetta Tharpe

Sister Rosetta Tharpe

Live In 1960 [LP]

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Sister Rosetta Tharpe was the first great recording star of gospel music and among the first gospel musicians to appeal to rhythm-and-blues and rock-and-roll audiences, later being referred to as "the original soul sister" and "the godmother of rock and roll". This live recording from 1960 had never been on vinyl, until now, a whole 57 years later. The set has plenty of variety, lots of sincere feeling, and high levels of musicianship from the unique performer. Highlights include "He's Got the Whole World In His Hands," "Didn't It Rain," "The Gospel Train" and "Down By the Riverside." The album was remastered for vinyl from analog tape and pressed at Pallas Group in Germany.

Sister Rosetta Tharpe
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Susan Marshall

Susan Marshall

639 Madison

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One of the South's finest vocalists, international recording artist Susan Marshall began her career Off-Broadway as a leading soprano in the Rep-Company Light Opera of Manhattan. Shortly after moving back to Memphis in 1990 she began fronting rock-soul band The Mother Station and was signed to a record deal with EastWest / Atlantic Records.  In 1994 they released their debut album "Brand New Bag" which peaked at #34 on Billboard's Mainstream Rock charts.

Since then, Susan has released three critically praised solo albums - "Susan Marshall Is Honey Mouth", "Firefly" and "Little Red".

Susan has toured all over the world as part of the Afghan Whigs as well as with Cat Power & The Memphis Rhythm Band, which included appearances on Austin City Limits, The Late Show w/ David Letterman, Late Night with Conan O'Brian, and the BBC's Later...with Jools Holland.

Her new release on Madjack Records is titled "639 Madison".  Recorded at world renowned Sam Phillips Recording Studio in Memphis, TN, the album includes Susan's interpretation of several classic songs including one new song written by Sam Phillips' son Jerry.

Susan Marshall
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Mitch Woods

Mitch Woods

Friends Along The Way

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The theme of friendship has carried Mitch Woods along through his career and has led him to this, his current duets and trios project…. Friends Along The Way. Featuring Guests: Van Morrison, Taj Mahal, Elvin Bishop, Charlie Musselwhite, Ruthie Foster, Joe Louis Walker, Maria Muldaur, Cyril Neville, Marcia Ball, John Hammond, Kenny Neal, James Cotton, John Lee Hooker and more… Mitch Woods has delivered a career spanning tour de force. What you hear on these songs is a simple duo or trio of musicians each expressing their innermost feelings and emotions through their instrument….the voice, piano, guitar, harmonica, tambourine…anything that can communicate the feelings, the rhythms of life to the audience. Friends Along The Way finds Mitch reaching into his historical sense of music. He reaches backwards to the roots rather than forward for his inspiration. This shines through on the first single “Take This Hammer” featuring a stunning vocal performance from Van Morrison and backed on guitar by Taj Mahal and of course Mitch Woods on piano. With Friends Along The Way, Mitch wanted to get a chance to play with some of his contemporaries in an intimate and mostly unplugged environment. The piano as an instrument lends itself to this format so perfectly. Mitch can play rhythm, lead, bass, and sing while accompanying some of his friends, who happen to be today’s blues and musical greats. It is a great instrument for bringing out the best of these awesome artists who are keeping the blues flame burning for generations to come. Some say music is a gift. It is a gift, not only to the person who performs it but to the world. The musicians you hear in these songs have spent a lifetime doing what they love to do….play music. Enjoy…this album is Mitch Wood’s gift to you

Mitch Woods
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Luther Allison

Deluxe box set contains 10 vinyl LPs, four DVDs and a book. Here you go. The box set celebrating the 20th anniversary of the passing of blues legend Luther Allison. This release is limited and numbered to 1500 CD sets; you should not wait to get your copy of this collection containing the essential albums Luther recorded after his Motown years. In addition to the albums, our friend Art Tipaldi has written an 88-page coffee table book featuring Luther's inspiring story, comments from his friends and associates, as well as many rare and private photos. Plenty of video footage is included on four DVDs. You'll get to see performances from 1997 (Live in Paradise and Zoo Bar), 1991 (a concert in Germany where Luther plays alongside his son Bernard), and 1987 (a show from East Berlin). It's all there; this compilation is a feast for the eyes, ears, and heart of any blues fan. Luther Allison is a genuine blues hero with an incomparable expanse of energy and love for his music and for the people who loved it. I hope you enjoy every bit of this celebratory Luther Allison collection.

Luther Allison
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Supersonic Blues Machine

Supersonic Blues Machine

Californisoul [2LP]

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SUPERSONIC BLUES MACHINE will release their exciting new studio album CALIFORNISOUL on October 20, 2017. "CALIFORNISOUL! That’s exactly what it is. It's the missing soundtrack to a summertime drive from Los Angeles to San Francisco in 1971!" Fabrizio Grossi explains. The album picks up right where the band left off on their well-received debut record, 'West of Flushing, South of Frisco'. Californisoul is all about great songs. "Cry" is a soul searching, simmering piece of poetry and Lance Lopez preaches it in the most righteous way. "I Am Done Missing You" is another number that reaches down deep with a message that will resonate with both spurned lovers and those who have left their bad habits and way in the past. "This Is Love" could be the lovechild of Bob Marley and War with some stinging guitar action spread on top. Blues, rock, reggae, soul, it's all here in a joyous abundance and a celebration of life. That's the nature of Californisoul. Guests on the album include Billy Gibbons, Steve Lukather, Eric Gales and Walter Trout. Fabrizio adds, "Lots of people have been saying to me 'why does Supersonic Blues Machine always bring guests around? You guys can stand your own ground', and there are three answers to that: 1) we're all super friends and we're having a blast, 2) most of them don't give lessons and for us this is the only way to learn their secret "ways" and 3) because of the inspiration and the challenge they bring to the table!" Californisoul will be released on CD, double vinyl, digital and streaming services,.

Supersonic Blues Machine
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Tommy Castro

Tommy Castro

Stompin' Ground [LP]

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Swaggering, razor-wire gospel-tinged soul, simmering deep blues and hard-grooving house rockers --AllMusic. com Gritty, funky, rocking and original --Boston Globe Blazing soul-blues rocker Tommy Castro’s musical roots run deep. As he unleashes his high-energy music to fans all over the world, Castro is inspired by the sounds he absorbed while coming of age on the rough and tumble side of San Jose, California. During the late 1960s and early 1970s, this was Castro’s home turf – his stomping ground. It was a place where the street-tough Mexican Americans and the counter-culture hippies came together to drink, smoke, laugh, party and listen to tunes – the hippies with their blues and rock, the Mexicans with their soul music. Mixing the blues-rock he loved and the soul music he heard blasting out from the lowriders cruising the streets, along with the socially conscious message songs of the day, Tommy’s own sound was born. He honed his guitar playing to a razor’s edge on the city’s competitive bar scene, where he learned how to capture an audience with his intensely passionate vocals, stellar musicianship and dynamic performances. Almost every major rock and soul act, from Ike & Tina Turner to Janis Joplin to Elvin Bishop and Taj Mahal toured through the area, and Castro was at almost every show. He saw John Lee Hooker, Albert King and Buddy Guy & Junior Wells at the same local blues bar, JJ’s, where he often jammed, dreaming of one day busting out. Over the course of his career, Tommy Castro’s San Jose DNA has always inspired his music, whether he’s squeezing out the deepest blues or the funkiest soul grooves. He and The Painkillers – bassist Randy McDonald, keyboardist Michael Emerson and drummer Bowen Brown – have played hundreds of shows to thousands of music lovers, always leaving his audiences screaming for more. All of his albums are filled with original blues, soul and West Coast rock, each song showing a slightly different side of Castro’s multifaceted musical personality. Billboard says the band plays “irresistible contemporary blues-rock” with “street-level grit and soul.” On his new album, Stompin’ Ground, Tommy Castro opens windows both into his past and his always-evolving musical future. Produced by Castro and guitar wunderkind Kid Andersen and recorded at Andersen’s soon-to-be legendary Greaseland Studio in San Jose, Stompin’ Ground finds Castro letting loose on a set of 12 tracks featuring six originals and new versions of songs he learned and played as a young up-and-comer. He is simultaneously looking back with autobiographical originals and cover songs that inspired him, while forging a forward trail with modern lyrics atop blistering blues-rock. With The Painkillers firing on all cylinders behind him, Castro lays it all on the line from the opening notes of Nonchalant to the final, introspective Live Every Day. From the autobiographical My Old Neighborhood to the socially aware Enough Is Enough and Fear is The Enemy to versions of Elvin Bishop’s Rock Bottom and Taj Majal’s Further On Down The Road (two of his favorite songs from his earliest heroes), Stompin’ Ground is pure musical pleasure. “As soon as we started cutting,” Castro says, “we knew we were onto something.” In addition to the The Painkillers, Castro’s friends Charlie Musselwhite (harp and vocals on Live Every Day), Mike Zito (guitar and vocals on Rock Bottom), Danielle Nicole (vocals on Soul Shake) and Los Lobos’ David Hidalgo (guitar and vocals on Them Changes) add their talents to Stompin’ Ground. “I heard each one of my friends’ contributions on these songs in my head as I was working on them. Happily, when I reached out and actually asked, everyone said yes.”
Tommy Castro
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Jonny Lang

Jonny Lang

Signs [LP]

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Signs is not merely a return the Jonny's guitar-based beginnings, but an embodiment of an even more elemental sound. Beyond focusing attention on his soloing prowess, it is about recapturing the spirit of the early blues, where the guitar was front and center, fairly leaping out of the speakers. 'A lot of my earlier influences have been coming to the surface, like Robert Johnson, and Howlin' Wolf,' he reports. 'I have been appreciating how raw and unrefined that stuff is. I had an itch to emulate some of that and I think it shows in the songs. Still, I let the writing be what it was and that was sometimes not necessarily the blues.'

Jonny Lang
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George Thorogood & The Destroyers
After 15 million albums sold worldwide, more than 8,000 live shows, and an uncompromising catalog of hits that has certified him as one of rock's most relentless entertainers, the bad-to-the-bone icon has returned home to Rounder Records to release the first solo record of his 40+ year career. Party Of One is Thorogood's long-awaited tribute to the artists that shaped his musical consciousness. Produced by Grammy-winner Jim Gaines - known for his work with John Lee Hooker, Luther Allison and Stevie Ray Vaughan, as well as several of Thorogood's biggest discs - the 14 cuts (plus a bonus CD-only track) on Party Of One are a potent platter of traditional blues, classics, and modern blues benchmarks. The album sees Thorogood covering blues masters such as Robert Johnson, John Lee Hooker, and Elmore James, as well as other legends, including The Rolling Stones, Johnny Cash, and Bob Dylan. The primarily acoustic instrumentation - including slide, Dobro, and harmonica - is performed entirely by Thorogood live in the studio with minimal overdubs. As Thorogood himself says, 'This record is what I was, what I am, and what I always will be.'
George Thorogood & The Destroyers
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Rock Candy Funk Party

Rock Candy Funk Party

The Groove Cubed

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Rock Candy Funk Party are: Tal Bergman (producer/drums), Joe Bonamassa (guitar), Ron DeJesus (guitar), and Mike Merritt (bass). On The Groove Cubed, they have added two fabulous vocalists to the mix - Ty Taylor (Vintage Trouble) and Mahalia Barnes - which is a first for them. The new album delivers a lavish soundscape that incorporates a plethora of genres, from dance and electronica, to funk and jazz and everything in between. Their last album, Groove Is King, has sold 5K RTD. LP is 180g black vinyl, includes download card.

Rock Candy Funk Party
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Multi Interpretes

The follow-up to last years Jazz Loves Disney, volume two features a collection of jazz and world artists taking on classic Disney songs. Produced by Jay Newland, arranged and directed by Rob Mousey, Jazz loves Disney 2 A Kind of Magic features jazz icons George Benson, Madeleine Peyroux, Laura Mvula, Jamie Cullum and more, performing songs like Be Our Guest, Under The Sea, Beauty & The Beast, and other Disney greats.

Multi Interpretes
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Kamasi Washington

Earlier this year, avant-garde jazz titan Kamasi Washington premiered Harmony of Difference, an original six-movement suite, as part of this year’s Whitney Biennial. The EP is the first new music from Washington since his universally acclaimed 2015 debut album The Epic. Harmony of Difference explores the philosophical possibilities of the musical technique known as “counterpoint,” which Washington defines as “the art of balancing similarity and difference to create harmony between separate melodies.” Washington’s suite includes visual elements married to the musical works and draws voraciously on jazz for its foundation. Each of the first five movements is its own unique composition. “Truth,” the sixth movement, fuses all five compositions into one simultaneous performance. Beyond the artistic impulse to expand the possibilities within counterpoint, Washington wanted to create something that opened people’s minds to the gift of diversity. In his own words, “my hope is that witnessing the beautiful harmony created by merging different musical melodies will help people realize the beauty in our own differences.” “Against a backdrop of “fake news,” chemical warfare and presidential missteps, Washington’s 13-minute opus thrives with gospel-infused power, resting alongside his previous work while occupying new sonic space…. The huge scale makes his music feel like a sacred offering in bleak times” - Pitchfork Best New Track “a liberation theology for fearsome times” - New York Times “We can count on the man Kamasi Washington to deliver peace in the form of jazz” - The Fader “an expansive, winding new song...’Truth’ unfurls with breezy piano chords, soulful electric guitar counter-melodies, wordless choral chants and washes of the bandleader’s smoldering saxophone.” - Rolling Stone

Kamasi Washington
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Ella Fitzgerald

Ella Fitzgerald

Someone To Watch Over Me

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Ella Fitzgerald’s iconic vocals are given new life by marrying newly recorded string arrangements from the London Symphony Orchestra. Recorded at Abbey Road Studios, and conducted by James Morgan and Jorge Callandrelli, this new approach to Ella’s timeless music reinvigorates her catalog and is sure to excite and please long time Ella fanatics and classical music connoisseurs at the same time. Guest vocalist Gregory Porter also lends his incredible talent to "People Will Say We're in Love”.

Ella Fitzgerald
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Keyon Harrold

Keyon Harrold

The Mugician

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"The Mugician" features collaborations with world-renowned artists including Gary Clark, Jr., Bilal, Big K.R.I.T., Pharoahe Monch, Guy Torry, Robert Glasper, Georgia Ann Muldrow, Darin Atwater, James Poyser. Don Cheadle wrote the liner notes for this album.

Keyon Harrold
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Jesse Cook

Jesse Cook

Beyond Borders

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“There are many borders in our lives. Some are built by others, some we create for ourselves. Whenever I have ventured beyond the borders in my life, I have been the better for it. Beauty, humanity, artistry, joy, wisdom, and of course love…these things don’t stop at some line on a page. If music is the universal language, maybe there is something it can teach us?”…Jesse Cook Following on the heels of One World’s critical and commercial success, Jesse Cook is ready to launch his new album Beyond Borders. This is the most sonically diverse and distinctive disc in Jesse Cook’s vast and varied catalogue. This catalogue has earned Jesse 11 Juno nominations and one Juno win for 2000’s Free Fall. Beyond Borders is an in depth musical journey exploring the exotic boundaries of World Music.

Jesse Cook
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Dee Dee Bridgewater

Dee Dee Bridgewater

Memphis ...Yes, I'm Ready

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Dee Dee Bridgewater has gone back to her beginning...Memphis, TN.

Born in the city known for its pivotal part in American culture, music and civil rights struggle, Bridgewater was part of an American legacy. After moving to Flint, Michigan, Bridgewater s childhood nights were spent tuning into Memphis WDIA, the first radio station in the nation featuring all-black programming. It was also the station where her father spun vinyl as the on-air disc jockey, Matt the Platter Cat.

This album is not only a return to Bridgewater s roots, but it offers ground-breaking re-imagining of American Blues and R&B classics with backing by the Stax Academy Choir, Kirk Whalum and recorded at Willie Mitchell s world-renowned Royal Studios. Co-Produced by Bridgewater and close friend Kirk Whalum (a Memphis native) the Memphis...Yes, I m Ready album features such crowd pleasers as Why? (Am I Treated So Bad) by the Staple Singers, I m Going Down Slow (Bobby Blue Bland) and Don t Be Cruel, among others.
In a career spanning four decades, 2017 NEA Jazz Master, three-time Grammy and Tony award winner, and UN Goodwill Ambassador Dee Dee Bridgewater is a pillar of the upper echelon of jazz artists.

Dee Dee Bridgewater
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The Jazz At Lincoln Center Orchestra With Wynton Marsalis

The Jazz at Lincoln Center Orchestra with Wynton Marsalis and special guests take you through 100 hundred years of jazz piano on Handful of Keys. Star pianists Joey Alexander, Dick Hyman, Myra Melford, Helen Sung, Isaiah J. Thompson, and the JLCO's own Dan Nimmer grab hold of all 88 keys and reveal the full extent of the piano's evolution over the 20th century.

Recorded on opening night of the 2016-17 Jazz at Lincoln Center season, Handful of Keys showcases a band in full stride, burning through electric arrangements of beloved compositions from James P. Johnson, Bill Evans, McCoy Tyner, and more. With guests ranging in age from 13-year-old prodigy Alexander (recently featured on '60 Minutes') to 89-year-old American treasure Hyman, Wynton Marsalis and the JLCO survey jazz piano's past and give the stage to several prodigies who are taking the instrument in bold new directions.

The Jazz At Lincoln Center Orchestra With Wynton Marsalis
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Van Morrison

Van Morrison

Roll With The Punches

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Roll With The Punches – Van Morrison’s 37th studio album - sees him simultaneously hand-picking a selection of rhythm and blues classics (by the likes of Bo Diddley, Mose Allison, Sister Rosetta Tharpe and Lightnin’ Hopkins among others) and recording a set of new self-written songs. It’s an album that features raw, intimate interpretations of some of the cornerstones of rock’n’roll alongside five new numbers by one of our most consistently brilliant recording artists. Roll With The Punches was produced by Van Morrison and recorded with an incredible team of studio collaborators including Chris Farlowe, Georgie Fame, Jeff Beck, Paul Jones and Jason Rebello.
Van Morrison
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Rick Estrin & The Nightcats

“Infectious, captivating, powerful blues….Intense Chicago-style harp playing, witty songs and tough-as-nails grooves” –Living Blues Wildly fun, musically fearless and bursting with bravado, Rick Estrin & The Nightcats have created one of the blues’ most instantly recognizable sounds and no-holds-barred styles. Featuring the world-class talents of harmonica master, songwriter and vocalist Rick Estrin, guitar wunderkind Chris “Kid” Andersen, keyboard wizard Lorenzo Farrell and dynamic drummer Alex Pettersen, Rick Estrin & The Nightcats serve up sharp and incisive original blues and gritty roadhouse rock ‘n’ roll. With his wily and unforgettable original songs and his hipster, street-smart vocals, no one on the blues scene writes or sings like Rick Estrin. No one looks like him either, as Estrin is always dressed to the nines, sporting his trademark pencil-line mustache and pompadour hair. DownBeat says, “Rick Estrin sings and writes songs like the brightest wiseguy in all of bluesland and blows harmonica as if he learned at the knee of Little Walter.” Live, the band is simply unbeatable. They deliver a high-energy show capable of bringing any audience to its feet. According to Living Blues magazine, they play “captivating, powerful blues and roots rock with a wickedly cool and otherworldly twist on tradition. Intelligently conceived and executed… hugely entertaining." Rick Estrin & The Nightcats’ fourth Alligator album, Groovin’ In Greaseland, features 13 original songs, 11 by Estrin (including one co-write with Andersen), and one each by Andersen and Farrell. From the true life wisdom of The Blues Ain’t Going Nowhere to the rambunctious Hot In Here to the humorous Dissed Again to the hard luck Living Hand To Mouth, the album delivers one winning performance after another. The songs spring to life as richly detailed characters spill their secrets and share their stories while the band dazzles. One listen makes it clear that this is one of the tightest and most original groups in any genre, constantly inspiring each other to new heights. Groovin’ In Greaseland was produced by Andersen and Estrin and recorded at Andersen’s soon-to-be legendary Greaseland Studio in San Jose, California. For more than 30 years and nine albums, Rick fronted Little Charlie & The Nightcats, flawlessly combining his songs, vocals and harmonica with Little Charlie Baty’s one-of-a-kind guitar excursions. The band won international acclaim and toured the world repeatedly. They were nominated four times for the prestigious Blues Music Award for Band Of The Year. With Charlie’s retirement from touring in 2008, Rick took over leadership of the band. He knew the only way to replace Baty’s mind-melting mashup of blues, jazz and roots rock was to find someone with an equally insane and daredevil guitar approach. Rick knew that would be a tall order to fill. As luck would have it, Kid Andersen, who had been working with another harp legend, Charlie Musselwhite, became available. “Kid’s a fearless nut on the guitar,” says Estrin. “He’s really the only guy who could fit in with us.” With an unpredictable, uninhibited style that perfectly meshed with Estrin’s wildly imaginative songs, the new band charged out of the gate. Besides Estrin’s songwriting and musical skills, he and the band are among the most colorful showmen around. Estrin’s quick wit and signature look and Andersen’s spontaneous guitar acrobatics add spur-of-the-moment frenzy to their live performances. “People don’t go out to see people who look like themselves,” says Estrin. “They want to see something special. I was schooled in this business to be a showman, and that’s what you get when you come to see us perform.”

Rick Estrin & The Nightcats
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Charlie Parr

Charlie Parr

Dog [LP]

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Vinyl LP pressing including digital download. 2017 release. Charlie Parr is a singular songwriter who has built a dedicated, grassroots following for his haunting, topical songs and virtuosic picking, not to mention the fact that he's on the road 300 days a year. Based in Duluth, MN, Parr's inspiration is drawn from the alternately fertile and frozen soil of Minnesota; his songs exude a Midwestern sensibility and humility. The combination of growing up with both of his parents working proud union jobs in an industrial meat factory and his largely rural environment had a broad impact on Parr's writing. His second full album for Red House, Dog, is "about folks trying to get along when the atmosphere around them makes it difficult," Parr says, who was going through hard time in his life when the album was being recorded. He writes first person narratives as a "HoBo," a hoarder who's about to get evicted ("Pleasant Valley"), and a man who'd like to be appreciated before his funeral, not after ("I Ain't Dead Yet"). Sometimes darkly funny, sometimes just plain dark, it's a brilliant, rawly emotional album that's moving as all hell.
Charlie Parr
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Walter Trout

Walter Trout

We're All In This Together [LP]

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On September 9, 2017 Walter Trout will release a new album on Mascot Label Group/Provogue. The album will be out on CD, double vinyl, digital download and streaming. "We're All In This Together" features Walter with a different guest on each track, including artists Kenny Wayne Shepherd, Sonny Landreth, Robben Ford, Warren Haynes, Eric Gales, Joe Louis Walker, John Mayall and Joe Bonamassa. Gonna Hurt Like Hell (feat. Kenny Wayne Shepherd) Ain't Goin' Back (feat. Sonny Landreth) The Other Side Of The Pillow (feat. Charlie Musselwhite) She Listens To The Blackbird Sing (feat. Mike Zito) Mr. Davis (feat. Robben Ford) The Sky Is Crying (feat. Warren Haynes) Somebody Goin' Down (feat. Eric Gales) She Steals My Heart Away (feat. Edgar Winter) Crash And Burn (feat. Joe Louis Walker) Too Much To Carry (feat. John Nemeth) Do You Still See Me At All (feat. Jon Trout) Got Nothin' Left (feat. Randy Bachman) Blues For Jimmy T. (feat John Mayall) We're All In This Together (feat. Joe Bonamassa)

Walter Trout
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Boney James

4-time GRAMMY nominee and multi-platinum selling saxman Boney James lays it all out there with his new CD 'Honestly'. Says Boney, 'The title reflects how I aspire to live my life and create my music. I try to do what I can to make the world a more pleasant place.' 10 songs (9 co-written by Boney) with chart-topping special guests Avery*Sunshine and Eric Roberson on vocals. 'Honestly' is an affirmation of the power of Music.

Boney James
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Trombone Shorty

Trombone Shorty

Parking Lot Symphony [LP]

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Trombone Shortys' Blue Note-debut, Parking Lot Symphony, captures the spirit and the essence of The Big Easy, while redefining its sound. Blazing through 70s Funk, Rock, Hip-Hop and R&B, Parking Lot Symphony was produced by Chris Seefried (Andra Day, Fitz and The Tantrums) and features songs co-written by Aloe Blacc, and Alex Ebert (Edward Sharpe & The Magnetic Zeros).
Trombone Shorty
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Kenny Wayne Shepherd
Kenny Wayne Shepherd is already considered to be at the forefront of contemporary blues. This time around, Kenny applied his talents to writing by woodshedding with several prominent Nashville hit song-writing teams (Keith Stegall, Mark Selby & Tia Sillers, Marshall Altman, Dylan Altman & Danny Myrick). Marrying these songs with his trademark guitar-playing will help expand his already growing base. The album is produced by Marshall Altman (Natasha Bedingfield, Matt Nathanson, Kate Voegele, Amy Grant).
Kenny Wayne Shepherd
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Fred Hersch

Fred Hersch

Open Book

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Fred Hersch has long been acclaimed as an exploratory artist, an outspoken activist, an influential educator and a uniquely revelatory and lyrical pianist. As one of the most expressive voices in modern jazz, Hersch has never been shy about letting listeners glimpse his most intimate thoughts and emotions. In September, however, Hersch's fans will be treated to even deeper, more revealing insights into the story of the renowned pianist when he publishes his much-anticipated memoir, Good Things Happen Slowly: A Life In and Out of Jazz. As a companion piece, Hersch decided to present an equally direct and vulnerable glimpse into his private musical thoughts with his 11th solo release, Open Book.

The seven pieces on Open Book (out September 8 on Palmetto Records) offer some of the finest, most unguardedly emotional solo music that Hersch has created in a career unique for its profound poignancy and passion. Recorded in a South Korean concert hall on a superb Hamburg Steinway concert grand piano, the album captures the vital essence of the revelatory adventurousness and intense beauty that have made Hersch one of the most important solo artists in jazz. With more than 40 albums to his credit as a leader or co-leader, Hersch remarkably continues to discover new areas of inspiration and depths of feeling.

For the last two and a half decades I've been pretty open about who I am, what I like and what I m dealing with at times, Hersch says. But I've always got to dig deeper, and I thought this might be a chance to make an album that s a window into the kinds of things that I play at home or don t play in public all that much.

The album arrives during a momentous month for Hersch. On September 12, the esteemed publishers Crown Archetype (Penguin Random House) will release Good Things Happen Slowly, Hersch's bravely confessional memoir. The book covers the pianist s meteoric rise in jazz from his sideman days alongside masters like Art Farmer and Joe Henderson to his gradual recognition as one of the most individualistic and innovative artists of his generation, a ten-time Grammy Award nominee and winner of countless accolades including being named a 2016 Doris Duke Artist as well as the same year s Jazz Journalists Association Pianist of the Year. But it also frankly reveals his story as the first openly gay, HIV-positive jazz musician, tracing his path through hedonistic post-Stonewall New York City to the dramatic two-month medically induced coma in 2007 from which he emerged to make some of the most stunning and captivating music of his career.

Later that month Hersch will reprise his ambitious Leaves of Grass full-evening piece at Jazz at Lincoln Center's Appel Room, the first time the song cycle has been performed in New York City since 2005. Vocalists Kurt Elling and Kate McGarry will reprise their roles from the original project, which sets the verse of American bard Walt Whitman. The legendary poet s timeless ode to the miracle of nature and openhearted love of all beings seems especially vital in our present socio-political moment.

The centerpiece of Open Book, and the spark that ignited the album, is the nearly 20-minute improvisation Through the Forest. Unique in Hersch's extensive discography, the stream-of-consciousness gem is a miniature masterpiece of narrative development, a compelling journey through an abstract, glimmering landscape, revealing that in his early 60s Hersch continues to take creative risks and daunting inventive leaps.

Fred Hersch
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Herb Alpert

Herb Alpert

Music Volume 1

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The newest album from Herb Alpert! Featuring the new single "Flamingo" as well as iconic covers of classics like "Unforgettable", "Cheek To Cheek", and John Lennon's "Imagine"
Herb Alpert
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The Cash Box Kings

The Cash Box Kings

Royal Mint

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“One of the best blues bands in the land.” – Living Blues “Virtuoso musicianship…rocking and irresistible.” –No Depression “Gloriously retro with an inspiring eloquence and grace.” –Vintage Guitar With deep feeling and top-shelf talent, house party masters The Cash Box Kings play tough, real deal classic Chicago blues with boundless energy. They also deliver raw, passionate Delta blues, jumping proto-rock ‘n’ roll, and steamrolling “bluesabilly,” an original mix of Chicago blues and Memphis rockabilly. As anyone who has ever been to one of the band’s raucous performances will testify, The Cash Box Kings are old school blues masters. They’re fueled by the powerhouse harmonica work of Madison, Wisconsin-based songwriter Joe Nosek and the huge, gritty vocals of Chicago bluesman Oscar Wilson. Their original songs range from humorous stories of Internet love to harrowing tales of Chicago’s violent gun epidemic. Every song they perform – be it a striking original or a scorching Chess, Sun or Vee-Jay cover – explodes with contemporary authority and radiates old-school authenticity. According to Grammy Award-winning blues legend Charlie Musselwhite, “The Cash Box Kings play with real taste and feel. Not only is it good blues but it’s a jumping good time, too! I ain’t lyin’!” Joe Nosek founded The Cash Box Kings in Madison, Wisconsin in 2001 and, since 2007, has co-led the band with the charismatic, larger-than-life vocalist Oscar Wilson. Over 20 years apart in age and coming from vastly different backgrounds, the two form an unlikely pair, combining Wilson’s indisputably authentic inner city Chicago blues vocals with Nosek’s songwriting, singing and harmonica talents. The music they create is brilliantly displayed on The Cash Box Kings’ Alligator Records debut, ROYAL MINT. According to Wilson, “The Cash Box Kings is a throwback to the golden age of blues with some kickin’ fresh young blood. Joe is my best friend in the music world – the band is a marriage made in heaven for both of us.” “Oscar is godfather to my oldest son,” says Nosek. “We have each other’s backs. We’re family.” ROYAL MINT features 13 hard-hitting songs, including six impressive originals. From the wry, politically-charged Build That Wall to the chilling Blues For Chi-Raq to the funny and too true If You Got A Jealous Woman Facebook Ain’t Your Friend to the timeless covers of songs by Robert Johnson, Muddy Waters, Junior Wells, Clifton Chenier, Amos Milburn and Jimmy Reed, ROYAL MINT shuffles, jumps and gets down and dirty, fueled by the band’s unmatched musicianship. According Nosek, “ROYAL MINT is our strongest album. The band is at its absolute best.” Nosek refers to the group of top-notch traditional players who comprise The Cash Box Kings as “a blues collective.” Live and on record, members of the “collective” appear in different combinations for different performances, creating an anything-can-happen experience. In addition to co-leaders Nosek and Wilson, the full ensemble includes first rate guitarists Joel Paterson and Billy Flynn, drummers Kenny “Beedy Eyes” Smith and Mark Haines, bassist Brad Ber and newest member Lee Kanehira (replacing longtime pianist, the late Barrelhouse Chuck) rounding out the band. In their first six years, The Cash Box Kings won a large and loyal audience across the Midwest. Wilson joined the band in 2007 bringing with him an instantly commanding stage presence and an authoritative vocal style that gives fire-breathing power to the music. A self-taught musician and singer with an encyclopedic knowledge of almost every blues song known to man, Wilson – standing 6’1” and weighing over 300 pounds – is a natural-born entertainer and a perfect foil for Nosek and the band.
The Cash Box Kings